Bonbori Curio

I love Curio for its dolman sleeves and wide ribbed band on the model.  Yet, I was not sure about the design when reviewing the schematic.  Looks too wide? 

 So, I tinkered on it.  This time, I was quite sure how I want to change it with the yarn I wanted to use.  The original uses Rowan Kidsilk Trio, very airy, soft and super light, yet bulky.  My yarn is Noro Bonbori, not airy at all.  It is definitely bulky and light.  Not super light, however.  So, the instruction of gathering the knitted fabric does not apply to my yarn. 

 

Changes made:

• Cast on fewer stitches (78 stitches) and increased every 6 rows 6 times after switching to the stockinet stitch (90 stitches).  Once at underarm, the length of the gathered fabric was knitted, not the flat fabric.  Then, I decreased at each end to shape shoulders by casting off 4 stitches at the beginning of every row for 12 times, and 6 stitches two times, with 30 stitches left on the needle. 
• Sleeves were knitted per instructions, except I did not cast off stitches at the end.  I grafted live stitches onto the bodice to reduce bulk.
• For the assembly, I used half stitches for seam allowance in order to reduce the bulk of the seam.

I love the result.  It was a rather quick knit as well.

Happy and Older Creation

The last and probably the only occasion where I was really creative was when I knitted the cut-away boucle jacket in 2005.  I had this beautiful Noro Shinano yarn in mixed green and ivory which I bought on sale with no dedicated project in mind.  I just loved the color and feel of the yarn which is wool/silk blend. 

I swatched with different patterns but I was not happy at all even after using up entire ball.  Then I realized that it needed some more colors, fuzzy colors.  So, I bought several worsted weight mohair yarns in orange red, greens, and blues, some of them were heathered colors.  One of them was a mohair loop yarn.  Instead of striping mohair yarns with Shinano, I made a magic ball: a ball of yarn made by cutting and knotting lengths of yarns.  I think I cut the mohair yarns in about 15” long pieces.  I did not measure them.  Just cut them approximately.  Then tie them into a ball of yarn by selecting different yarns randomly. 

I began swatching with the following stitch pattern:

With Noro Shinano cast on, and knit two rows (garter stitch).  Third and forth rows are knit with magic ball *knit 1, slip 1 as if the purl with yarn in back *, repeat * to * on row 3.  On row 4 slip all the previously slipped stitch with yarn in front as if to purl and knit all the knitted stitches.  Rows 5 and 6, garter stitch with Noro Shinano.  Rows 7 and 8 are similar to rows 3 and 4 except slipped and knit stitches are reversed so that the mohair yarns show in staggered pattern rather than lined up. 

Initially, making the magic ball made me feel so wrong: Cut up yarns and then tie them up every 15”!  But, when I saw the swatch, my feeling of guilt went away. 

The pattern I selected was design #1 from VK magazine Winter 2004/2005 issue, without the back pleat.  I reversed the right and wrong side of knitting along the lapel line in the front bodices.  To finish it up, I added a braided trim along the edges and cuffs.  I used the orange red mohair yarns and a bright red angora yarn I had in my stash for the braid.  After a few wearing, I noticed that the jacket was losing its shape and thought it needed a lining.  I bought beautiful lightweight polyester fabric in hand-paint like print in greens and blues, lined the whole jacket except for the lapels and the collar, and hand quilted throughout.  The lining pattern was made up by simply placing the jacket on a blank sheet of paper and traced it.  I had to make certain that the pattern is symmetric.  That was all what I did. 

This was such an organic project and I love the result. 

The only problem is that it is an orphan at this point.  I had a dark green knitted short skirt, but I have grown a bit since then.  All I could come up with in my wardrobe was the tweed skirt.  It is not too bad together, but not good enough.  So, I should dig up my stash in search of dark green fabric!

Jiutepec from Cornelia Tuttle Hamilton's "Noro Eternal"

As soon as “Noro Eternal” came out, I fell in love with Jiutepec for its design and yarns: Noro Iro and Silk Garden. In case you did not know, I just adore Noro yarns. Of course, it helps that the model is showing off the garment so stylishly. In any case, Jiutepec's knitting process caught my eyes. Ms. Hamilton's previous books also included a design with holes and I wanted to try them on a garment. Also interesting is that the garment is knitted with size 7 mm needles throughout even though Iro is very bulky and Silk Garden is worsted weight. I had yarns in my stash for more than two years before I started the project this year. Thinking back, I did not jump into this project immediately because I was unsure about the success of the garment. For one thing, I was not quite sure which cast on method I should employ for holes. Once decided that simple loop cast on will do, I felt more comfortable and started the project. I wanted my cast on edges to be soft and not bulky.

This garment is knit side-way: Starting at right front band, and proceed to right front body, back body, left front body, and left front band. I was happily knitting along until I hit left front neck shaping. It did not look the same as the right neck shaping. I think the right front neck shaping is not correct and that's what you knit at the beginning. There is no way I would undo all the way to the beginning. I wish I had checked the pattern before I casted on. When the right neck shaping is followed, I would have a very odd neck opening with back neck width of hardly 2". My neck is not that skinny. If you follow the left neck shaping, it would be about 4" which is more reasonable. Since I did not want to undo all the knitting, I compromised to use the right neck shaping. In order to produce enough back neck width, front shoulders were eased somewhat when sewn onto the back shoulders. This fudging seems to have worked.

There is one more issue to this pattern on the ribbed edges. When they tell you to repeat two rows 6 more times, one of the two repeated rows involve increasing two stitches every 5 stitches. If followed as instructed, the ribbed edging will become quite voluminous which is not what you see on the garment photos. Obviously, the referred row is not the one to repeat. I proceeded to do k4-p3 ribbing for 12 more rows.

The amount of yarns used for the smallest size were the following: 2.5 skeins of Noro Iro in Reds,2 skeins of Noro Iro in Grey/Browns, 3 skeins of Noro Silk Garden in Grey/Browns.

I love the jacket and my friends do, too. I don’t mind knitting up another one in different colors!

Crochet Noro Sock Scarf

I saw this beautifully crochet scarf in this blog sometime ago. The stitches are very interesting and beautifully executed. And the colors of the yarns ... . Absolutely gorgeous! Unfortunately, they are not available in the US as far as I know, and this is one of those cases where yarns mattered a lot. So, I just admired the work and never thought of making one myself. Then, I saw another scarf on Ravelry where Noro's sock yarns were used for the same pattern with gorgeous result. Here is her blog post on it. I happened to have one skein of Noro Kureyon Sock yarn in color 95, my favorite in Noro Kureyon colors.




This ball of sock yarn, I originally entertained the idea of knitting a skirt with it: the idea that its nylon content prevents bagging around the hip. I did not like the fabric as much and the yarn ball was just sitting at the bottom of WIP pile. At any rate, I jumped on the idea of the crochet scarf. I used the diagram from here and modified a little to make the fabric flatter: where there is one single crochet symbol, I added two more in the middle section and one more at the edge. I did five wheels per row. The wheels were crocheted using yarns alternately pulled from inside and outside of the same ball. It was quite a mess to pull yarn from the center as it had a tendency to twist, kink and knot. I ended up purchasing another ball to complete the project and it would have been much easier to use two balls alternately from the start. For the edging, I did a single row of single crochet. It is absolutely lovely!

Although it was not easy to crochet this scarf, I love the result so much and I am already working on the second one using two colors #95 and #188, just like Anne did.

Scrappy Hats and Cowl

I’ve been knitting this pattern called Scrappy Hat by Folknits multiple times this year. The pattern was available on their website for free early this year, but I am unable to find it now. So far, I’ve knitted three of them. First one was knitted with Noro Silk Garden 245, 2 balls, with 4.5mm needles. I cast on 65 stitches for my large head, about 23". I used up the two balls completely and it looked just fine as a hat initially. However, Silk Garden became very soft rather quickly and the hat became too large. It is now turned into a wonderful cowl.



Second one was done with Noro Silk Garden Lite 2027, 2 and 1/4 balls, with 4 mm needles. I saw a version knitted by a Knitsmith, Nancy, and I fell in love. The colors in 2027 are just gorgeous and I had to do one myself. I cast on 90 stitches and did 174 rows, or 29 repeats of 6 pattern rows. When turned up once, it is a rather slouchy hat, while turned up twice, it is a regular hat as photographed below. I am afraid this one may become slouchy no matter what. BTW, the color 2027 is discontinued now and I am so glad that I picked up some more balls for a matching scarf or another hat. In order to prevent stretching out, I’m thinking of knitting it with a strand of firm yarn, such as Kidsilk Haze.



The third one is knitted with Noro Kureyon 148, again discontinued, 2.5 balls. I used 4.5 mm needles and cast on 70 stitches. This is one of the Kureyon colors I just adore. It has all my favorite shades, chocolate, raspberry, toffee, etc. As Kureyon is more stable and bouncier than Silk Garden, I hope it will keep the original dimension. I did 27 repeats of 6 pattern rows, and it is turned up once only.



Addendum: A fellow Knitsmith member, Amber, pointed me to Scrappy hat pattern. Thank you, Amber!

Lizard Ridge Afghan finished!

I used 24 balls of Noro Kureyon to knit 30 panels. For the edging, I was not quite satisfied with the original pattern instruction and did somewhat fancier version from this pattern book by Hirose Mitsuharu.
オリジナルより大きめにしたかったので、野呂さんのくれよんを２４玉使ってパネルを３０枚あみました。エッジングはKnitty のパターンにしたがわず、広瀬光春さんのパターンを使いました。

Pardon me for the poor quality of the close up below. Hopefully, you get the idea of what was done differently.
あまりよく撮れてませんが、エッジングのアップです。



It was an absolutely fun and satisfying project from the beginning to the end. I don't know how Mr. Noro Eisaku does it, but his colors are just gorgeous. They are really captivating. The designer, Laura Aylor, used Kureyon so cleverly. I am grateful to both! DDs were impressed more than any other projects I've ever done. They requested to have one each. We shall see.
最初から最後まで、興味を失うことなく随分速く編めました。　野呂栄作さんの糸の色使いは素晴らしく、一度編み始めるとなかなか止められません。　デザイナーのLaura Aylorさんの引き返し編みの使い方には慣れるまで少し手こずりましたが、よく出来ています。　私の娘たちも気に入って、欲しいと言われ、ニッコリです。

追記:　日本語で書くのって、ずいぶん難しいです。おかしな日本語になっているかもしれません。　これから、少しずつ日本語で書くつもりです。　宜しく！

Thirty Panels for Lizard Ridge Afghan

Finally finished knitting all the panels for Lizard Ridge Afghan. The designer really knows how to use Noro yarns. This wave pattern can work perfectly beautifully in garments, especially skirts, I think.

Stacy Charles - Noro Outfit

This outfit began with a skirt. Its pattern is based on #18 ZigZag Skirt from St. Charles Collezione Summer '05. Textured yarns and solid colored yarns are cleverly combined to create vertical zigzag patterns which attracted me very much.

Then, one day, I came across K1C2 Tartalette #641 at my LYS. Its blue and orange combination caught my eyes. That was it. Next, I picked up Noro Daria #12 and St. Charles Rialto #29 for textured yarns and various cotton/silk/wool blends in orange, blue, mustard yellow and chocolate brown, all solid colors but not necessarily in the same gauge range. The only concern was Noro Daria. Would a stiff cable work with other yarns? I felt so strongly about the colors being right, it was decided that I have to make it all work together.

The original garment photos are shown on the left. The skirt has a yoke with a cord threaded at the top to keep the skirt in place, and is matched with a collared tank. Several changes were made to the original pattern. I added an elastic casing to the top of the yoke and decided not to wear the skirt on the hip. The matching tank did not suit my taste and was replaced by a tank top from Katia knitting magazine from a few years ago. Casting on and off with solid colored cotton blend yarn, Noro Daria tank worked out fine. I completely ignored the recommended gauge on Noro Daria, however.

Here are the covers of the magazines used. I needed two balls each of Tartalette and Rialto, three balls of Noro Daria, and one ball each in four solid colors for the skirt. For the tank, 7 skeins of Noro Daria were needed.

I am still working on the outfit. I am planning to sew a light jacket with silk sateen in smokey blue. At the moment, I am planning to use The Sewing Workshop's Tribeca Shirt pattern.